Welcome
to my weekly blog, SATURDAY SESSIONS!
Readers
have been asking me about the Breaking News last week; I'll be happy to answer
any more questions about it - if I can!
One or
two Readers have asked me if I could attach the text only from now on in the
weekly extract for students of Bluefeather, past, present and future - instead
of the text with analysis as per the Course in Dublin. It's easier to read without the distractions,
they tell me!
Your
wish is my command!
This
week it's an excerpt from our Log on Trinity College, focusing on The Book of Kells!
The book took about thirty years to
write. So what is it about?
Basically, it is a copy of the four
gospels of the New Testament in Latin. Because the letters and pictures and
beautiful Celtic spirals are so colourful, we call it an illuminated manuscript. There are only a few of these amazing books
left in the country and this one is the most beautiful.
When the Vikings invaded in the eighth
century, they attacked the monasteries for gold and silver and took the women
and children to sell in the slave markets. Whenever they found an illuminated
manuscript, they removed the wooden cover which had precious stones in it - but
then they destroyed the book itself because they thought the writing was a
magic spell that would harm them!
As it was written in Vulgate (spoken)
Latin, it's not easy to follow for people who may have studied Latin at school.
The Irish monks were the first in the world to separate words on the page. Up
to then, writing had been in scriptum
continuum; a whole line consisted of
words stuck together so the reader had to separate them mentally while reading.
There is an interesting introductory
exhibition, explaining the background to the Book of Kells. The book itself is now divided into two parts, the
writing and the pictures. People have different ways of looking at the Book of Kells. The vibrant colours of
its Celtic art is a pleasure to see. All the animals, birds and even fish that
populate the book, show us that the monks enjoyed themselves while they were
making this book but above all, the book was a reflection of the beauty of life
and of the world. These monks were not so keen on the closed, stricter form of
Mediterranean art. They preferred fantasy to realism. A lot of the art-work is
so intricate that it is difficult to see with the naked eye.
The message itself didn't seem to be
so important! For example, in the
Vatican, serious-looking bishops would give themselves a hard time debating
what might happen if a mouse slipped into the church and ate a consecrated
host. In the Book of Kells, the Irish
monks had a good laugh at this problem when they painted two mice fighting for
the possession of a big host in their mouths; or painted a mouse running off
with a host under the nose of a cat!
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